Ohio is a new project from of 12k founder Taylor Deupree and long-time label-mate and collaborator Corey Fuller. Upward, Broken, Always is the collaborative album which is out via 12K. According to the press release, The genesis of Ohio, besides the desire to work on a full album together, was them realizing they were both born in the US state of Ohio, not far from each other, and spent their earlier years crafting young memories there before moving away. This ended up being a simple, but interesting point of departure for the project because these early, hazy memories provided compelling conceptual roadmaps for the album as well as become inspiration for the song titles.

Listen below.

With no lack of irony the project started with a playful cover of singer/songwriter Damien Jurado’s “Ohio.” Deeply loved by both Deupree and Fuller, covering this song liberated them from working in their traditional “ambient” comfort-zone, challenging them with new structures and new directions. Their version of “Ohio” slowed the song down and explored acoustic and electric guitars, vocals, harmonies, pop-centric song structure, field recordings and a plethora of subtle studio fun (the looped clicking motor of a Roland RE-201 Space Echo being used as a “hi-hat” of sorts) and layers.

The project expanded from there and moved gradually as they very much felt working in the same physical space was important to its core. Writing, overdubbing, mixing and editing continued as the two found time to make the journies between Tokyo and New York to share a studio. Each visit the songs would become more refined and be pushed into new and unexpected directions. A cathartic intensity found its way into the music echoing the intensity of life but at the same time remaining grounded.

The four years spent creating Upward, Broken, Always resulted in an album that engages the dichotomy between ambience and intensity. The hazy reworking of Jurado’s “Ohio,” or the duet for acoustic guitars recorded in the woods outside of Deupree studio contrasts with the surprising, beautifully intense swells of overdriven guitar. Faraway drums and Fuller’s ghostly vocals further expand the sonic image.

During one of their final editing sessions, with the accidental muting of musical tracks, the interludes at the end of each LP side were born. Fragments of preceding songs, stripped to a ghostly minimum like those distant Ohio memories.